Opera in Germany / S. William Brady 1901

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Opera in Germany / S. William Brady 1901

Diary of operas seen during Brady's European trip in 1901. The longest section, on Germany, consists of mounted programs for and comments in ink about Der Barbier von Bagdad, Cavalleria Rusticana, Der Afrikanerin, Bastien und Bastienne, Der Entfürung aus dem Serail, Der Prophet, Rigoletto, Mignon, Falstaff, Rienzi, Der Mikado, Siegfried, Götterdämmerung, and Carmen. A shorter section on Florence Italy, March 1901, discusses Aida, Mefistofele, Un Ballo in Maschera, Il Trillo del Diavolo (Falchi), Tosca, La Traviata, and the Geisha ; it includes only one program, laid in, for Il Trillo. A final short section, on Paris, discusses Astarte, L'Ouragan, Mireille, La Basoche, Lakmé, Le Chalet, Les Noces de Jeannette, and Carmen ; it includes no programs. Brady's criticism touches on the compositions, but concentrates chiefly on the singing.

1 item ([63] p., bound)

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SNAC Resource ID: 6316341

Related Entities

There are 4 Entities related to this resource.

Jenkins, Speight

http://n2t.net/ark:/99166/w66z294m (person)

Brady, S. William

http://n2t.net/ark:/99166/w67w734n (person)

S. William Brady (1878-1957), also known as William S. Brady, was an American voice teacher and coach. With a studio in New York, he taught well-known singers at the Metropolitan Opera as well as concert and musical comedy singers. For many years he taught in Europe in the summer months. He also composed several operettas and wrote poetry. From the description of Opera in Germany / S. William Brady. 1901. (New York Public Library). WorldCat record id: 122378801 From the guid...

Robinson, Nancy M.

http://n2t.net/ark:/99166/w6tx55vr (person)

American Music Collection

http://n2t.net/ark:/99166/w6g57tcd (corporateBody)